IIm7-V7-Is
The opening bar of this lick really is a rather overused a cliche on the saxophone. (Is there an underused cliche?). However by transposing it down a semitone over the next chord you get some very nice chromatic notes giving you the b9, b13 and b5. To avoid double flats in places I have changed the enharmonic spelling in where it is ambiguous, e.g. on the Eb7 the B and A give you a #5th instead of b13th and #11th instead of b5th. I was taught this pattern by Bill Charlson, one of the truly great saxaphone teachers.
The image here shows the first page, Taming the Saxophone Vol 3 has the exercise written out in all keys (as well as all the other exercises and more).





Saxophone Exercises & Patterns 

